The arts are products of the processing of the subjective and individual soul. They identify, on the one hand, the artist's efforts and, on the other, the mental progress of those who cultivate his results. They present themselves as indicators of processes through which the intellect seeks paths towards what is supposed to be true, cosmic and infinite. There is an implicit relationship between the primary and intuitive notions of space and time. There is a relationship of continence between that suggested by the notion of cosmos if and when dissected and fragmented by what we suppose contained in the space-time relationship. The human being is always subordinated to the intellectual and empirical limits with which he approaches, recognizes, conceptualizes and supposes to be able to identify some cosmic truths.

There are constraints generated in education directed to the assimilation of cultures and knowledge and professional training, contained and subject to the electromagnetic processes in which thoughts originate. The human mind, in capturing some of the recognized fragments in the processes of knowledge, strives to compare, classify and add to what it already has, is itself collective memory. gigantic in ordering ideas, he tries to place cosmic infinity in the small space delimited by the walls of a vase. The space seems to be finite, resized, measurable. We perceive a boundless and boundless Cosmos, but all composed of fragments of space, time, matter, energy and a great cosmic willpower. This generates the driving force that moves the single or pluriversal Cosmos towards perfection. in itself, perfecting itself in reference to all that was, is and can be.